EFFETTI AUDIO SU BASE HARDWARE

Goliath utilizza un potente motore DSP basato su FPDA di Antelope, un’imponente piattaforma che ti permette di elaborare quattro mix a latenza zero con effetti personalizzati.

Questi includono lo splendido riverbero AuraVerb e diversi modelli di hardware EQ e compressori moderni e vintage.

Panoramica

l’interfaccia audio più potente sul mercato

Dato che offre il maggior numero di I/O (entrate/uscite) disponibili sul mercato, Goliath è il risultato di oltre 20 anni di esperienza di Antelope nell’audio digitale, nelle tecnologie innovative del clock e nel design dei circuiti analogici.

Collegabile tramite i rapidi Thunderbolt™, USB & 2x MADI, Goliath possiede un totale di 36 entrate e 32 uscite analogiche, offrendo trasparenza digitale e realismo analogico, come nessun’altra interfaccia audio esistente.
L’interfaccia audio più potente di Antelope arriva con una gamma di effetti audio su base hardware, tra i quali gli amplificatori e le casse della chitarra vintage, il riverbero AuraVerb, il leggendario EQ e gli emulatori di compressione, insieme alla nostra rinomata tecnologia Acoustically Focused Clocking.

…it’s tough to find an audio interface that offers this much connectivity and the sheer number of inputs and outputs of the Goliath”

Matt Vanacoro, one of New York’s premier musicians, he has collaborated as a keyboardist in studio and on stage with artists such as Jordan Rudess (Dream Theater), Mark Wood (Trans-Siberian Orchestra), Mark Rivera (Billy Joel Band), Aaron Carter and many more.

Caratteristiche

http://it.antelopeaudio.com/wp-content/themes/salient/css/fonts/svg/music_microphone.svg

16 PREAMPLIFICATORi microfonici

16 preamplificatori microfonici di classe A. Entrate Hi-Z, microfoniche e di linea

http://it.antelopeaudio.com/wp-content/themes/salient/css/fonts/svg/basic_bolt.svg

ZERO LATENZA

Streaming I/O (entrate/uscite) simultanei a 64 canali, mixer multipli e lavorazione effetti

http://it.antelopeaudio.com/wp-content/themes/salient/css/fonts/svg/music_record.svg

EFFETTI PRO GUITAR

Effetti su base hardware per modellare l’amplificatore per la chitarra al livello

http://it.antelopeaudio.com/wp-content/themes/salient/css/fonts/svg/music_shuffle_button.svg

AD/DA PURI

Audio a 24 bit, 192 kHz e conversione pura firmata Antelope Audio

http://it.antelopeaudio.com/wp-content/themes/salient/css/fonts/svg/basic_target.svg

ACOUSTICALLY FOCUSED CLOCKING A 64 BIT

Tecnologia di gestione del jitter di quarta generazione di Antelope Audio

http://it.antelopeaudio.com/wp-content/themes/salient/css/fonts/svg/music_mixer.svg

CONTROLLO DEDICATO

Desktop intuitivo, App mobile e pannello frontale con touch screen

What makes the GOLIATH so powerful?

Descrizione

IL SUONO CHE HAI SEMPRE SOGNATO

Clock perfetto e circuito analogico unico portano il sound professionale ad un nuovo livello.

Da Antelope Audio amiamo dire che miglior clock = miglior suono.
Quindi, non c’è da sorprendersi se il nostro algoritmo di gestione del jitter Acoustically Focused Clocking (AFC) di quarta generazione detiene il clock perfetto di Goliath.

L’interfaccia audio presenta l’oscillatore prodotto dal cristallo a controllo termico che si conosce dal master clock su base di cristallo firmato Antelope.
Per dettagli ottimali e un suono da palco, Goliath può essere ulteriormente sincronizzato con l’Atomic Clock al Rubidio estremamente accurato– 10MX, e può anche essere usato come master clock per altri due dispositivi tramite uscite Word Clock su BNC.

Elaborare multipli mix a latenza zero

Diventare dei ”pazzi creativi ”con gli effetti hardware-based customizzati di Goliath.

La nuova tecnologia RealModel ricrea non solo il vero suono della strumentazione classica analogica, ma anche il suo atteggiamento e percezione. Una serie di effetti possono essere combinati in una catena di FX personalizzati e salvati come preset.

Tutti i nostri ampilificatori per chitarra e simulatori cabinet sono sviluppati in collaborazione con i maggiori specialisti in software per chitarre Overloud Audio Tools, per questo sappiamo chi sono i chitarristi che ameranno subito Goliath.

64 canali tramite Thunderbolt™

<h3può essere inviato ad una vasta gamma di opzioni I/O (entrate/uscite) analogiche e digitali, inclusi MADI, AES, ADAT e S/PDIF.

Goliath offre 36 Entrate Analogiche e 32 Uscite Analogiche con convertitori puri AD/DA. Questi includono 4 strumenti eccezionali DI, 2 trasformatori Reamp di Uscita, 2 Uscite per Cuffie con TalkBack integrato nella parte anteriore, 16 Canali di Preamplificatori Microfonici di Classe A, 2 set di Inserti Stereo e un paio di Uscite per Monitor di grado mastering nella parte posteriore.

I connettori DB25 presentano 24 Uscite (1-8 possono essere controllate gradualmente per un Surround Sound Mixing) e 16 ulteriori entrate di Linea, rendendo così Goliath una soluzione attraente per gli Inserti Hardware e di Summing.

Altri canali I/O analogici possono essere aggiunti collegando simultaneamenteOrion32 o Orion32+ di Antelope tramite MADI per un totale di 64 Canali I/O analogici.

Goliath front - audio interface

Tocca & CONTROLla

Reinventa la tua esperienza in studio con le opzioni di controllo avanzato di Goliath.

Tutte le funzioni di Goliath sono accessibili tramite il suo intuitivo touch screen ad alta risoluzione. Tutte le caratteristiche dell’interfaccia audio possono essere accessibili anche tramite il pannello di controllo del software OS X e Windows. Proprio come tutti i nuovi dispositivi di Antelope Audio, Goliath segue il nostro concetto di controllo della rete.

Questo significa che adesso potrai accedere a tutte le caratteristiche di Goliath da diversi computer sulla stessa rete.

Audio Interface Goliath remotley controlled

Non aver paura, questa bestia è ben tenuta sotto controllo.

Abbiamo creato un’App di Controllo Remoto per gli utenti Android e Apple. Così, adesso potrai portare più lontano la tua esperienza di registrazione.

google-play

Tutorial

Connettività

Dati tecnici

  • ANALOG

    Analog Inputs
    16 x Line inputs on two D-SUB 25, +20 dBu max, 11.2 kOhms
    16 x Mic / Line universal inputs on XLR combos on the rear (first 4 can be used for instruments also)
    4 x Instrument (HiZ) inputs on TRS 1/4 jacks on front

    Analog Inserts
    2 x Inserts on TRS 1/4 jacks (dedicated to rear universal inputs 1, 2)

    Analog Outputs
    24 x Line outs on three D-SUB 25, +20dBu, 56 Ohms
    1 x Monitor out on 2x TRS 1/4 jacks
    2 x Stereo Headphone outs on TRS
    2 x ReAmp outs on TRS

    D/A Monitor Converter
    Dynamic Range: 129 dB
    THD + N: -108 dB

    D/A Converter
    Dynamic Range: 120 dB
    THD + N: -107 dB

    A/D Converter
    Dynamic Range: 120 dB
    THD + N: -110 dB

    Mic Preamp
    Gain: 0, 10 – 65 dB
    THD + N: -108 dB

  • DIGITAL

    Digital Inputs
    2 x Fiber Optic MADI (up to 64CH each)
    2 x ADAT (up to 16CH)
    8 x AES/EBU on D-SUB 25 (16CH)
    1 x S/PDIF

    Digital Outputs
    2 x Fiber Optic MADI (up to 64CH each)
    2 x ADAT (up to 16CH)
    8 x AES/EBU on D-SUB 25 (16CH)
    1 x S/PDIF

    USB I/O
    USB 2.0 Hi-Speed;
    Data stream up to 480 Mbits/192kHz, 32 channels I/O, Type B

    Thunderbolt™ I/O
    1 x Thunderbolt™, 64 channels I/O

  • CLOCKING

    Word Clock Input
    1 x Input @ 75 Ohms 3Vpp on BNC 32 – 192kHz

    Word Clock Outputs
    2 x Outputs @ 75 Ohms 3Vpp on BNC 32 – 192kHz
    Thunderbolt

    Atomic Clock Input
    1 x 10M Input @ 75 Ohms 1Vpp on BNC

    Clocking System
    4th Generation Acoustically Focused Clocking
    64-bit DDS
    Oven Controlled Crystal Oscillator

    Clocking Stability
    <+/-0.02 ppm, oven controlled at 64.5°C/ 148.1°F

    Clock Aging
    <1 ppm per year

    Clock Calibration
    <+/-0.001 ppm

    Sample Rates
    32, 44.1, 48, 88.2, 96, 176.4, 192 (kHz)

  • OTHER

    Operating Temperature
    0-50°C/32-122°F

    Weight
    6.8 kg/ 15 lbs (approx)

    Dimensions (Approx.)
    Width: 48 3mm / 19”
    Height: 81 mm / 3.2”
    Depth: 279 mm / 11”

    Electrical specs
    AC Universal input: ~95-245 V
    Power Consumption: 40 Watts Max

    In the box
    Goliath – ThunderboltTM and USB AD/DA Interface
    Owner’s Manual
    Warranty Card
    1 AEC Power cable
    1 USB cable

Audio interfaces comparison table

ANALOGZen Studio+Orion32 HDGoliathZen TourOrion StudioOrion32+Zen StudioOrion32
In the box• Zen Studio+ Portable Audio interface
• Quick Start Guide
• Warranty Card
• 1 DC Power Adapter
• 1 USB Cable
• Orion32 HD Portable Audio interface
• Owner’s Manual
• Warranty Card
• AC Power Cord
• 1 USB 3.0 Cable
• Goliath – ThunderboltTM and USB AD/DA Interface
• Owner’s Manual
• Warranty Card
• 1 AEC Power cable
• 1 USB cable
• Zen Tour – Portable Thunderbolt™ and USB AD/DA Interface
• Cleaning Cloth
• Owner’s Manual
• Warranty Card
• Wall Wart Power Supply Unit
• 1 USB cable
• Orion Studio – Thunderbolt™ and USB AD/DA Interface with 12 mic pres
• Owner’s Manual
• Warranty Card
• 1 DC Power supply
• 1 USB cable
• Orion32+ 32-channel AD/DA Interface with AFC™ Clocking Technology
• Owner’s Manual
• Warranty Card
• Power cable
• 1 USB cable
• Zen Studio Portable Audio interface
• Owner’s Manual
• Warranty Card
• 1 DC Power Adapter
• 1 USB Cable
• Orion³² Multi-Channel AD/DA Converter
• Owner’s Manual
• Warranty card
• Power cable
• 1 USB cable
Analog Inserts• 2 × Inserts on 1/4″ TRS (dedicated for inputs 1, 2)N/A• 2 x Inserts on 1/4" TRS (dedicated for inputs 1, 2)N/A• 2 x Inserts on 1/4" TRS (dedicated for inputs 1, 2)N/A• 2 x Inserts on 1/4" TRS (dedicated for inputs 1, 2)N/A
Analog Inputs• 1 × DB25 (8 channels)
• 4 × Mic / Line / Hi-Z on XLR combos on the front
• 8 × Mic / Line on XLR combos on the rear
• 4 x DB 25 (32 channels total), +24 dBu max• 2 × DB25 (16 channels)
• 16 × Mic / Line on XLR combos (incl. 4 × Hi-Z)
• 4 × Hi-Z inputs on 1/4" TRS on front
• 4 × Mic / Line / Hi-Z on XLR combos
• 4 × Hi-Z / Line on 1/4" TRS
• 4 × Mic / Line / Hi-Z on XLR combos
• 8 × Mic / Line on XLR combos
• 4 x DB25 (32 channels total), +20 dBu max, 11.2 kOhms• 1 x DB25 (8 channels)
• 4 x Mic / Line / Hi-Z on XLR combos on the front
• 8 x Mic / Line on XLR combos on the rear
• 4 x DB25 (32 channels total), +20 dBu max, 11.2 kOhms
Analog Outputs• 1 × DB25 (8 channels)
• 1 × Stereo pair of Monitor outs on 1/4″” TRS
• 2 × Stereo Headphone outs on 1/4″” TRS (4 channels)
• 2 × ReAmp outs on 1/4” TRS
• 4 x DB 25 (32 channels total), +24 dBu max
• 2 x Monitor Outs on TRS 1/4 Jacks, +24 dBu max
• 3 × DB25 (24 channels)
• 2 x Stereo Monitor outs on 1/4" TRS
• 2 × Stereo Headphone outs on 1/4" TRS
• 2 × ReAmp outs on 1/4" TRS
• 1 × DB25 (8 channels)
• 2 × Stereo Monitor outs on 1/4" TRS (4 channels, only 1 pair active at a time)
• 2 × Stereo Headphone outs on 1/4" TRS
• 2 × ReAmp outs on 1/4" TRS
• 2 × DB25 (16 channels)
• 2 × Stereo Monitor outs on 1/4" TRS (4 channels, only 1 pair active at a time)
• 2 × Stereo Headphone outs on 1/4" TRS
• 2 × ReAmp outs on 1/4" TRS
• 4 x DB25 (32 channels total), +20dBu, 56 Ohms
• 2 × Stereo Monitor outs on 1/4" TRS
• 1 x DB25 (8 channels)
• 1 x Stereo pair of Monitor outs on 1/4" TRS
• 2 x Stereo Headphone outs on 1/4" TRS (4 channels)
• 4 x DB25 (32 channels total), +20 dBu, 56 Ohms
D/A Monitor ConverterDynamic Range: 118dB
THD + N: -98dB
Dynamic Range: 129 dB
THD + N: -108 dB
Dynamic Range: 129 dB;
THD + N: -108 dB
Dynamic Range: 129 dB
THD + N: -108 dB
Dynamic Range: 129 dB
THD + N: -108 dB
Dynamic Range: 129 dB
THD + N: -108 dB
Dynamic Range 118dB
THD + N -98dB
N/A
A/D ConverterDynamic Range: 118 dB
THD + N: -105 dB
Dynamic Range: 120 dB
THD + N: -110 dB
Dynamic Range: 120 dB;
THD + N: -110 dB
Dynamic Range: 120 dB
THD + N: -110 dB
Dynamic Range: 120 dB
THD + N: -110 dB
Dynamic Range: 118 dB
THD + N: -105 dB
Dynamic Range 118dB
THD + N -105dB
Dynamic Range 118dB
THD + N -105dB
D/A ConverterDynamic Range: 118 dB
THD + N: -98 dB
Dynamic Range: 120 dB
THD + N: -107 dB
Dynamic Range: 120 dB;
THD + N: -107 dB
Dynamic Range: 120 dB
THD + N: -107dB
Dynamic Range: 120 dB
THD + N: -107dB
Dynamic Range: 118 dB
THD + N: -98 dB
Dynamic Range 118dB
THD + N -98dB
Dynamic Range: 118dB
THD + N: -98 dB
Mic PreampGain: 0,10 – 65 dB
THD + N: -108 dB
N/AGain: 0, 10 – 65 dB
THD + N: -108 dB
Gain: 0 – 65 dB
THD + N: -108 dB
Gain: 0,10 – 65 dB
THD + N: -108 dB
N/AGain: 0,10 – 65dB
THD + N -108dB
N/A
DIGITALZen Studio+Orion32 HDGoliathZen TourOrion StudioOrion32+Zen StudioOrion32
Digital Inputs• 2 × ADAT (up to 16 channels)
• 1 × S/PDIF
• 1 x Fiber Optic MADI (up to 64 channels)
• 2 x ADAT (up to 16 channels)
• 1 x S/PDIF
• 2 × Fiber Optic MADI (up to 64 channels each)
• 2 × ADAT (up to 16 channels)
• 1 × S/PDIF
• 8 × AES/EBU on DB25 (16 channels)
• 2 × ADAT optical (up to 16 channels)
• 1 × S/PDIF on RCA
• 2 × ADAT (up to 16 channels)
• 1 × S/PDIF
• 1 x Fiber Optic MADI (up to 64 channels)
• 2 x ADAT (up to 16 channels)
• 1 x S/PDIF
• 2 x ADAT (up to 16 channels)
• 1 x S/PDIF
• 1x Fiber Optic MADI (up to 64 channels)
• 2 x ADAT (up to 16 channels)
• 1x S/PDIF
Digital Outputs• 2 × ADAT (up to 16 channels)
• 1 × S/PDIF
• 1 x Fiber Optic MADI (up to 64 channels)
• 2 x ADAT (up to 16 channels)
• 1 x S/PDIF
• 2 × Fiber Optic MADI (up to 64 channels each)
• 2 × ADAT (up to 16 channels)
• 1 × S/PDIF
• 8 × AES/EBU on DB25 (16 channels)
• 2 × ADAT optical (up to 16 channels)
• 1 × S/PDIF on RCA
• 2 × ADAT (up to 16 channels)
• 1 × S/PDIF
• 1 × Fiber Optic MADI (up to 64 channels)
• 2 × ADAT (up to 16 channels)
• 1 × S/PDIF
• 2 x ADAT (up to 16 channels)
• 1 x S/PDIF
• 1 × Fiber Optic MADI (up to 64 channels each)
• 2 × ADAT (up to 16 channels)
• 1 × S/PDIF
USBUSB 2.0 Hi-Speed;
Data stream up to 480 Mbits/192kHz, 24 channels I/O, Type B
USB 3.0
64 channels I/O up to 192kHz, Type B connector
USB 2.0 Hi-Speed;
Data stream up to 480 Mbits/192kHz, 32 channels I/O, Type B
USB 2.0 Hi-Speed;
Data stream up to 480 Mbits/192kHz, 24 channels I/O, Type B
USB 2.0 Hi-Speed;
Data stream up to 480 Mbits/192kHz, 24 channels I/O, Type B
USB 2.0 Hi-Speed;
Data stream up to 480 Mbits/192kHz, 32 channels I/O, Type B
USB 2.0 Hi-Speed;
Data stream up to 480 Mbits/192kHz, 24 channels I/O, Type B
USB 2.0 Hi-Speed;
Data stream up to 480 Mbits/192kHz, 32 channels I/O, Type B
Thunderbolt™1 x Thunderbolt™ (32 channels I/O)N/A1 × Thunderbolt™ (64 channels I/O)1 × Thunderbolt™ (32 channels I/O)1 × Thunderbolt™ (32 channels I/O)1 × Thunderbolt™ (64 channels I/O)N/AN/A
HDX ConnectivityN/A2 x mini HDX connectors for direct Pro Tools connection
32 Channels I/O each ( total of 64 channels )
N/AN/AN/AN/AN/AN/A
CLOCKINGZen Studio+Orion32 HDGoliathZen TourOrion StudioOrion32+Zen StudioOrion32
Word Clock Input1 x Input @ 75 Ohms 3Vpp on BNC 32 – 192kHz1 x Input @ 75 Ohms 3Vpp on BNC 32 – 192kHz1 × Input @ 75 Ohms on BNC 32 –192kHzN/A1 × Input @ 75 Ohms on BNC 32 –192kHz1 × Input @ 75 Ohms on BNC 32 –192kHz1 × Input @ 75 Ohms on BNC 32 –192kHz1 × Input @ 75 Ohms on BNC 32 –192kHz
Word Clock Output1 x Outputs @ 75 Ohms 3Vpp on BNC 32 – 192kHz2 x Outputs @ 75 Ohms 3Vpp on BNC 32 – 192kHz2 × Outputs @ 75 Ohms on BNC 32 –192kHzN/A1 × Outputs @ 75 Ohms on BNC 32 –192kHz2 × Outputs @ 75 Ohms on BNC 32 –192kHz1 × Outputs @ 75 Ohms on BNC 32 –192kHz4 × Outputs @ 75 Ohms on BNC 32 –192kHz square wave signal
Atomic Clock InputN/A1 x 10M Input @ 75 Ohms 1Vpp on BNC1 x 10MHz Input @ 75 Ohms 1Vpp on BNCN/AN/A1 × 10MHz Input @ 75 Ohms on BNCN/A1 x 10MHz Input @ 75 Ohms on BNC
Clocking System• 4th Generation Acoustically Focused Clocking
• 64-bit DDS
• Oven Controlled Crystal Oscillator
• 4th Generation Acoustically Focused Clocking
• 64-bit DDS
• Oven Controlled Crystal Oscillator
• 4th Generation Acoustically Focused Clocking
• 64-bit DDS
• Oven Controlled Crystal Oscillator
• 4th Generation Acoustically Focused Clocking
• 64-bit DDS
• Oven Controlled Crystal Oscillator
• 4th Generation Acoustically Focused Clocking
• 64-bit DDS
• Oven Controlled Crystal Oscillator
• 4th Generation Acoustically Focused Clocking
• 64-bit DDS
• Oven Controlled Crystal Oscillator
• 4th Generation Acoustically Focused Clocking
• 64-bit DDS
• Oven Controlled Crystal Oscillator
• 4th Generation Acoustically Focused Clocking
• 64-bit DDS
• Oven Controlled Crystal • Oscillator
Clock Stability<+/-0.02 ppm, oven controlled at 64.5ºC/ 148.1ºF<+/-0.02 ppm, oven controlled at 64.5ºC/ 148.1ºF<+/-0.02 ppm, oven controlled at 64.5ºC/ 148.1ºF<+/-0.02 ppm, oven controlled at 64.5ºC/ 148.1ºF<+/-0.02 ppm, oven controlled at 64.5ºC/ 148.1ºF<+/-0.02 ppm, oven controlled at 64.5ºC/ 148.1ºF<+/-0.02 ppm, oven controlled at 64.5ºC/ 148.1ºF<+/-0.02 ppm, oven controlled at 64.5ºC/ 148.1ºF
Clock Aging< 1 ppm per year< 1 ppm per year< 1 ppm per year< 1 ppm per year< 1 ppm per year< 1 ppm per year< 1 ppm per year< 1 ppm per year
Clock Calibration< +/-0.001 ppm< +/-0.001 ppm< +/-0.001 ppm< +/-0.001 ppm< +/-0.001 ppm< +/-0.001 ppm< +/-0.001 ppm< +/-0.001 ppm
Sample Rates32, 44.1, 48, 88.2, 96, 176.4, 192 (kHz)32, 44.1, 48, 88.2, 96, 176.4, 192 (kHz)32, 44.1, 48, 88.2, 96, 176.4, 192 (kHz)32, 44.1, 48, 88.2, 96, 176.4, 192 (kHz)32, 44.1, 48, 88.2, 96, 176.4, 192 (kHz)32, 44.1, 48, 88.2, 96, 176.4, 192 (kHz)32, 44.1, 48, 88.2, 96, 176.4, 192 (kHz)32, 44.1, 48, 88.2, 96, 176.4, 192 (kHz)
OTHERZen Studio+Orion32 HDGoliathZen TourOrion StudioOrion32+Zen StudioOrion32
Operating Temperature0-50°C, 32-122°F0-50°C, 32-122°F0-50°C, 32-122°F0-50°C, 32-122°F0-50°C, 32-122°F0-50°C, 32-122°F0-50°C, 32-122°F0-50°C, 32-122°F
Electrical SpecsDC Universal input: 18V
Power Consumption: 25 Watts Max
AC Universal input: 95-245V
Power Consumption: 30 Watts Max.
AC Universal input: ~95-245 V
Power Consumption: 40 Watts Max
DC Universal input: 18V
Power Consumption: 25 Watts Max
DC Universal input: 18V
Power Consumption: 25 Watts Max
AC Universal input: ~95-245 V
Power Consumption: 20 Watts Max
DC Universal input: 18V
Power Consumption: 25 Watts Max
AC Universal input: 95-245V
Power Consumption: 20 Watts Max.
Weight (aprox)2 kg/4.41 lbs approx.3.6 kg/ 8.0 lbs approx.6.8 kg / 15 lbs1.4 kg / 3.09 lbs3.1 kg / 6.83 lbs3 kg / 6.6 lbs
2 kg / 4.41 lb3 kg / 6.6 lb
Dimensions (aprox)Width: 418 mm / 16.5”
Height: 45 mm / 1.8”
Depth: 145mm / 5.7″
Width: 483 mm / 19”
Height: 44 mm / 1.75”
Depth: 270mm / 10.63″
Width: 48 3mm / 19”
Height: 81 mm / 3.2”
Depth: 279 mm / 11”
Width: 25.5 mm / 10”
Height: 5.9 mm / 2.4”
Depth: 16.6 mm / 6.5″
Width: 483 mm / 19”
Height: 44 mm / 1.7”
Depth: 220 mm /8.6”
Width: 483 mm / 19”
Height: 44 mm / 1.75”
Depth: 220 mm / 8.66”
Width: 418 mm / 16.5”
Height: 45 mm / 1.8”
Depth: 145 mm / 5.7”
Width: 483 mm/19”
Height: 44 mm/1.75”
Depth: 220 mm/8.66”

System requirements

WINDOWS

OS: Windows 7/8/8.1/10
Disk Space: Minimum 512 MB available disk space
USB: 1x USB 2.0 Port
Required USB bandwidth: 80%-90%
CPU: Intel or AMD equivalent CPU with at least 2GHz operating frequency
Memory (RAM): 4GB Minimum (8GB or more Recommended)

MAC

OS X: 10.9/10.10/10.11/10.12 (Sierra Recommended)
Disk Space: Minimum 512 MB available disk space
USB: 1x USB 2.0/3.0 Port
Thunderbolt: 1x Thunderbolt/USB-C Port
Required USB bandwidth: 80%-90%
Memory(RAM): 4GB Minimum (8GB or more recommended)
CPU: Intel Core 2 Duo (Minimum) Intel Core i3 ™ or higher (Recommended)

Additional Info: Internet connection required for product activation.

Recensioni

Downloads

MANUALS

User manual

Goliath User Manual

SOFTWARE

Launchers

Windows
Download Goliath Launcher for Windows 7 and newer (Jan 8, 2017)

MAC
Download Goliath Launcher for Mac OS X 10.9 and newer (Jan 8, 2017)

Remote Control Apps

Android
Android app remote for the Goliath

Apple
Apple app remote for the Goliath

Orion Studio HD

Orion Studio HD

Interfaccia Pro Audio HDX e USB 3.0

Goliath HD

Goliath HD

Thunderbolt2™ , USB 3.0 & MADI Audio Interface

Orion Studio

Orion Studio

Thunderbolt ™ & USB Audio Interface